Welcome, music sloots to another edition of Manor Music Monday, today by way of a San Francisco gal with incredible talent and understated class, a combo we don't see much in performers these days of any ilk, if at all. Better still, she's still truckin' at age 86. And though it's wintertime, her music will bring back summer. Just listen and you'll feel the heat, the light humidity, a chill band and her freshly reviving voice. Also, San Francisco must have something in the water, because so many terrific jazz vocalists seem to hail from there. It can't be a coincidence. Case in point, Mary Stallings, born in 1939 in the city, the middle child of 11 siblings. Get this: she's also the niece of saxophonist Orlando Stallings, who introduced her to jazz when she was just a wee one after overhearing her scatting to Dizzy Gillespie's "Oop-Bop-Sh'bam." She performed briefly with Uncle Orlando's band and with her church, and while she was still...

Greetings music slutinos, and welcome to a special Winter Holiday Edition of Manor Music Monday! For me, the holidays aren't complete without a few things, like delicious dark chocolate, squealing chirruns and Vince Guaraldi. If that name is unfamiliar to you, I'll bet his music isn't, since he composed the indelible music for "A Charlie Brown Christmas," a 1965 TV special that's all but imprinted on our minds, much like "The Wizard of Oz." And just like the music was important to "The Wizard of Oz," it was crucial to "A Charlie Brown Music," conveying not only seasonal giggles 'n fun, but Charlie Brown's deeply melancholic state of mind. And perhaps most head-turning of all for a mass-market TV special in the mid-60s, the score was jazz.  In fact, it was the very first time jazz was used prominently in animation - for the big or small screen - giving Peanuts a wholly unique, sophisticated, yet accessible sound. The soundt...