Welcome, music sloots, to another edition of Manor Music Monday, today with a swingin' sister to kick you into the New Year with a big smile on your face - and these days, we need something to smile about, don't we? Please make sure and join DJ Li'l Scratch tonight at the Manor's exclusive after hours joint, "Liquor in the Front!" There, he'll be spinning tunes from a performer who started out as part of the "Cool School" sound on the West Coast in the 1940s and 50s, which was yet another movement that acted as a counterpart to bebop. If bebop was "hot-hot-hot" - being loud and fast (and competitive) - Cool Jazz was its "cool" counterpart, or chill, understated and sometimes intellectually detached. You know them when you hear them: Chet Baker with his fragile, whispered delivery; Peggy Lee with her minimalist singing, doing as much as possible with the teensiest amount of volume; and Chris Connor, famed for her vibrato-less v...

Greetings, horlettes, and welcome to another edition of Manor Music Monday. Today's starry songstress studied piano and voice in college, as she was set on becoming an opera singer. But once she heard a few Duke Ellington LPs, introduced to her by her mother, opera was dunzo . Jazz had infected her soul, as it had for so many in the early 1930s. Back then, jazz was also called "devil's music," since it was created by Black musicians, of course, but also because it was linked to the Women's Liberation movement, and unlike classical music, it wasn't based on any foundation of specific rules and techniques. Improvisation was scary - and, yes, it increased immorality and promiscuity. I know, I know, I can hear you now: "Sign me up!" But this was a different time, as they say. Lucky for us, at the Manor's "Cake Shakin' Lounge and Dessertery," DJ Li'l Cat will be spinning her tunes tonight. Do you recognize this gently coquettish ope...