Calling all hepcats! DJ Li'l Scratch is layin' down some swingin' tracks at the Manor's "Pork Sword" lounge tonight. But first, have you seen the 1980's sitcom "It's a Living?" If you have, then you know about "Sonny Mann," the comically boorish lounge singer played by Paul Kreppel (in a performance that used to annoy me, though now I find it oddly endearing).
Photo: ABC Networks
Kreppel had to have been lampooning Buddy Greco, at least vocally, a fantastic Vegas lounge singer who surely originated the phrases "Who loves ya', baby!" and "Ring-a-ding-ding!" and "The meatloaf's fantastic! We're open all night!"
Photo: Getty Images
And while I make fun of Buddy, his LP, "16 Most Requested Songs" is winningly primeval. This is how songs like "The Lady Is A Tramp" and "She Loves Me" were first performed - or so I imagine - and in fact, how they should always be performed, with unconscious glitz and boy-yo razzmatazz. Dig it, daddy!
BTW, looking for Peckerwood's Weekly Lunocracy Post? It's RIGHT HERE.
The Highest Product of Capitalism (after John Heartfield) 1979, Jo Spence, with Terry Dennett Austerity is not an unfortunate economic reality; it is a political weapon. It is how the state disciplines the public while protecting capital, and it has been doing this without impunity for decades, if not longer. Oversight is nonexistent. There is no culpability. It isn’t even questioned, and both political parties are complicit in pushing this as an undeniable truth. The messages differ, but the flavor is the same. The Republicans are undoubtedly more corrupt, crueler, greedier, more vindictive, and recklessly divisive. This creates the illusion that the Democrats are positioned to be the answer and that once they are in power, everything will change. Democratic politicians push this narrative; however, they never rise to the occasion, resulting in bitter disappointment and frustration for those who vote for change. With tepid moral outrage, they make the rounds on MSNBC, give rousin...
The Internet needs to be spanked, because a group of stinky-poos came for Liza this week. But luckily, Liza, glorious legend that she is, snapped back. And it was all because of her new album cover, which troglodytes were quick to say resembled Rhianna's "Girl Gone Bad" album cover from 2007. "Nyah, nyah, nyah," the lesser-thans sneered, acting as if they caught Liza make a major whoopsie (or a major Beyonce) (you decide). But Liza kindly, yet firmly. put them in their place. She knows Rihanna, of course, and “I did a tribute to her ‘Good Girl Gone Bad’ with the album art. Some people got it, and some people didn’t! But nobody needed to be unkind. With social media, everyone can be a critic. And I realize people use this space to amplify their voice. To those who defend me when my age, decisions, appearance and art are under fire, I’m very grateful. It takes courage to stand beside a friend when things are difficult. You know who you are. And I love you very mu...
.gif)
Comments
Post a Comment