Greetings, music sloots, and welcome to another edition of Manor Music Monday, today with two - count 'em, two - wonderful, mostly forgotten jazz songbirds. Yet they're not forgotten by DJ Li'l Scratch, who's lived many lives, as you know, and has seen and heard so much, and in fact was born with a brood of five wee kittens in the smoky backroom of " The Green Mill Jazz Club."  But that's a story for another day.  Tonight only at the Manor's "Shuck 'Em and Funk 'Em" after-hours lounge and taqueria, DJ Li' Scratch will be spinning tunes by two chanteuses from the "cool jazz" period in the late 1950s through the early 1960s, or tunes with hushed tones, smooth, steady tempos and complex harmonies. First we have Joy Bryan, the epitome of the All-American girl-next-door, don't you think? Yet looks can be deceiving - and all is not vanilla. Joy was yet another one of those terrific, highly regarded late 1950's-era West...

Welcome, music sloots, to another edition of Manor Music Monday, today with a swingin' sister to kick you into the New Year with a big smile on your face - and these days, we need something to smile about, don't we? Please make sure and join DJ Li'l Scratch tonight at the Manor's exclusive after hours joint, "Liquor in the Front!" There, he'll be spinning tunes from a performer who started out as part of the "Cool School" sound on the West Coast in the 1940s and 50s, which was yet another movement that acted as a counterpart to bebop. If bebop was "hot-hot-hot" - being loud and fast (and competitive) - Cool Jazz was its "cool" counterpart, or chill, understated and sometimes intellectually detached. You know them when you hear them: Chet Baker with his fragile, whispered delivery; Peggy Lee with her minimalist singing, doing as much as possible with the teensiest amount of volume; and Chris Connor, famed for her vibrato-less v...